Amid the calm and serene skies of Haute Horlogerie, an unidentified flying object is looming on the horizon. Could it be the announcement of an imminent upheaval? The intuition of an emotional cataclysm?
Flashing across the night sky, the new UR-112 Aggregat Odyssey appears in a shower of metal! The latest evolution of the UR-112 features a new titanium and steel fuselage. With this limited edition, URWERK – creator of ‘space opera’ watches – pushes its limits further than ever… to infinity and beyond!
Gleaming like Padme Amidala's J-type 327; equipped with two large round eye-like windows like Archie; the ‘owl ship’ from Watchmen. Streamlined like a Klingon Bird of Prey. Grooved like the hull of the Battlestar Galactica. The UR-112 Aggregat Odyssée emerges from the URWERK shipyard in a limited edition, featuring an infinite number of flat, curved, grooved, sculpted, screwed and bonded surfaces, all incorporating advanced finishes alternating between matt and glossy, sandblasted and polished. This painstaking, meticulous work contributes to enhancing the two large cockpits where the rotating prisms representing the UR-112's unique signature operate, akin to two advanced observation posts.
Sophisticated textures
The UR-112 Aggregat Odyssey is the successor to the UR-112 Aggregat Two-Tone. The upper part of this wrist spacecraft is suitable for polishing. The grooved steel cover opens vertically to give access to the secondary power reserve and digital seconds indications. It is mirror-polished on the top with a beadblasted edge. Its central titanium body is satin-brushed, grooved, sandblasted and beadblasted, thereby forming a field of functional microdots. The two steel wings of the UR-112 Odyssey fit into this central body.
Each zone, each space, each element has its own texture, its own finish, its own language. Martin Frei, co-founder of URWERK and head designer, said: "I am lucky enough to experience the birth of our creations first-hand – in the workshops and in close proximity with our watchmakers. I witness the final assembly. I see the material come to life, and even more importantly, finishes that existed only in my mind materialize before my eyes. Like the pencil strokes that draw and refine the outlines of the watch on paper, the traces of machining on the titanium and steel render its creative process visible. It then takes all the magic and mastery of the craftsman's hand to transcript this emotion in the finished product, which is beadblasted, satin-brushed and polished. In the case of the UR-112, this was a particularly long and trying process, a real odyssey, which enabled us to convert the strength of the raw material into the refinement of the finished product.“